But it changes the scale’s harmony up quite a bit, resulting in different chords than the major scale. This one note difference may not seem like a big deal. Major has a major third, while Melodic Minor has a minor third. The only difference between the Melodic Minor Scale and the Major Scale is the third scale degree. W-h-w-w-w-w-h *w=whole step // h=half step* Or, Alternatively by the following intervals: The Melodic Minor Scale is defined by the following scale degrees: This article will offer some important “triads” and seventh chords of the Melodic Minor Scale and how we build those chords!įirst, let’s define the melodic minor scale And that practicality shows up in soloing, composition, and general thinking of chord-scale relationships. Learning the chords of the Melodic Minor will also aid tremendously in the practical application of the scale. Well, it wouldn’t be considered “functional harmony,” but the chord progressions would certainly sound interesting. But what happens if we build chords based upon the Melodic Minor Scale? This creates strong and common chord progressions. When thinking diatonically in functional harmony, we harmonize and build chords based on the Diatonic Scale (Major Scale and its modes).
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